Musicological Studies

Wissenschaftliche Abhandlungen

• XLV: Medieval Polyphonic Sequences: An Anthology
• XLVI: Modal Rhythm
• XLVII: The Ambrosian Cantus
• XLVIII: Italian Tonaries
• XLIX: The Mass of Saint James: Solemn Mass for the Feast of the Passion of St. James of Compostela according to the Codex Calixtinus
• L/1: The Antiphons of the Ambrosian Office
• L/2: The Melodic Tradition of the Ambrosian Office-Antiphons
• L/3: Antiphon and Psalm in the Ambrosian Office
• LI: Style and Symbol, Medieval Music: 800-1453
• LII: Letter Notations in the Middle Ages
• LIII: Beyond the Moon: Festschrift Luther Dittmer
• LIV: A Tradition of Three Tropes
• LV/1: CANTUS: An Aquitanian Antiphoner: Toledo, Biblioteca capitular, 44.2, Printouts from an Index in Machine-Readable Form, A CANTUS Index
• LV/2: CANTUS: Piacenza, Biblioteca Capitolare 65, Printouts from an Index in Machine-Readable Form, A CANTUS Index
• LV/3: CANTUS: A Monastic Breviary of Austrian Provenance, Linz, Bundesstaatliche Studienbibliothek, 290 (183), Printouts from an Index in Machine-Readable Form, A CANTUS Index
• LV/4: CANTUS: Two Cambrai Antiphoners, Cambrai, Médiathèque Municipale 38 and Impr. XVI C 4, Printouts from two Indices in Machine-Readable Form, A CANTUS Index
• LV/5: CANTUS: The Zwiefalten Antiphoner, Karlsruhe, Badische Landesbibliothek, Aug. perg. LX, Printouts from an Index in Machine-Readable Form, A CANTUS Index
• LV/6: CANTUS: An Utrecht Antiphoner, Utrecht, Bibliotheek der Rijksuniversiteit, 406 (3.J.7), Printouts from an Index in Machine-Readable Form, A CANTUS Index
• LV/7: CANTUS: Four Klosterneuburg Antiphoners, Augustiner-Chorherren Stiftsbibliothek, 1013, 1012, 1017, and 1018, Printouts from an Index in Machine-Readable Form, A CANTUS Index
• LV/8: CANTUS: Salamanca, Archivo de la Catedral, 5,6,7,8, Printouts from an Index in Machine-Readable Form, A CANTUS Index
• LVI: Modal Assignment in Northern Tonaries
• LVII: Les Chansons de Claude Goudimel: Analyses Modale et Stylistiques
• LVIII: From Confucius to Kublai Khan: Music and Poetics Through the Centuries
• LIX: The Latin Motet: Indexes to Printed Collections, 1500-1600
• LX/1: Secular Medieval Latin Song: An Anthology
• LX/2: A Critical Study of Secular Medieval Latin Song
• LX/3: The Social Background to Secular Medieval Latin Song
• LXI: Johannis de Muris, Musica
• LXII/1: The Cultural Milieu of the Troubadours and Trouvères
• LXII/2: The Medieval West Meets the Rest of the World
• LXII/3: Tradition and Ecstasy: The Agony of the Fourteenth Century
• LXII/4: Design and Production in Medieval and Early Modern Europe: Essays in Honor of Bradford Blaine
• LXII/5: Medieval Germany: Associations and Delineations
• LXII/6: Issues in Medieval Philosophy: Essays in Honor of Richard C. Dales
• LXII/7: Performing Ecstasies: Music, Dance, and Ritual in the Mediterranean
• LXII/8: Procession, Performance, Liturgy, and Ritual: Essays in Honor of Bryan R. Gillingham
• LXIII: Indices to the Notre-Dame Facsimiles
• LXIV: Antiphons for Paschal Triduum Easter in the Medieval Office
• LXV/1: HISTORIÆ: Two Offices for St. Elizabeth of Hungary, Gaudeat Hungaria and Letare Germania; Introduction and Edition
• LXV/2: HISTORIÆ: Historia Sancti Emmerammi, Arnoldi Vohburgensis, circa 1030
• LXV/3: HISTORIÆ: Historia Sancti Dionysii Areopagitæ, St. Emmeram, Regensburg, ca. 1050 / 16. Jh.
• LXV/4: HISTORIÆ: Historia Sancti Erhardi
• LXV/5: HISTORIÆ: Officium Presentationis Beate Virginis Marie in Templo
• LXV/6: HISTORIÆ: L'Office Romano-Franc des Saints Martyrs Denis, Rustique et Eleuthere
• LXV/7: HISTORIÆ: Hermannus Contractus (1013-1054), Historia Sancti Wolfgangi Episcopi Ratisbonensis
• LXV/8: HISTORIÆ: Two Aquileian Poetic Offices
• LXV/9: HISTORIÆ: Historia de Sancta Martha Hospita Christi redactio Bohemica: Ein spätmittelalterliches Reimoffizium zu Ehren der heiligen Martha in seiner böhmische Überlieferung
• LXV/10: HISTORIÆ: Hermannus Contractus (1013-1054), Historia Sanctæ Afræ Martyris Augustensis
• LXV/11: HISTORIÆ: Historia Sancti Martini
• LXV/12: HISTORIÆ: Historia Sancti Achacii
• LXV/13: HISTORIÆ: Historia Sancti Simperti, aus dem Benediktinerkloster St. Ulrich & Afra Augsburg
• LXV/14: HISTORIÆ: Historia Sancti Quirini, Historia Sancti Chrysogoni aus dem Benediktiner Tegernsee
• LXV/15: HISTORIÆ: Historia Sancti Ludgeri
• LXV/16: HISTORIÆ: Historia Sancti Reguli Episcopi et Martiris
• LXV/17a: HISTORIÆ: The Offices and Masses of St. Knud Lavard († 1131), (Kiel Univ. Lib. MS S.H. 8 A.8°), Volume 1: Facsimile
• LXV/17b: HISTORIÆ: The Offices and Masses of St. Knud Lavard († 1131), (Kiel Univ. Lib. MS S.H. 8 A.8°), Volume 2: Edition
• LXV/18: HISTORIÆ: Historia Sancti Stephani Regis 1190-1270
• LXV/19: HISTORIÆ: L'Office de la Couronne d'épines à Sens
• LXV/20: HISTORIÆ: Historia Sancti Demetrii Thessalonicensis
• LXV/21: HISTORIÆ: Historia Sancti Galli (circa 900)
• LXV/22: HISTORIÆ: Hermannus Contractus (1013-1054), Historia Sancti Magni
• LXV/23: HISTORIÆ: Historia Sancti Gatiani Episcopi Turonensis
• LXV/24: HISTORIÆ: The Office of St. Vigilius, Bishop and Patron of the Church of Trent
• LXV/25: HISTORIÆ: The Office of Saint Julian of Le Mans by Letald of Micy (circa 1000)
• LXV/26: HISTORIÆ: Balther von Säckingen, Bischof von Speyer, Historia Sancti Fridolini (ca. 970)
• LXV/27: HISTORIÆ: The Office of Saint William of York
• LXV/28: HISTORIÆ: Historia Sancti Hylarii Episcopi Pictaviensis (circa 816-930)
• LXV/29: HISTORIÆ: The Dominican Mass and Office for the Crown of Thorns
• LXV/30: HISTORIÆ: Officium sancti Mauritii sociorumque eius Thebaicae legionis
• LXV/31: HISTORIÆ: Historia Sanctae Verenae
• LXV/32: HISTORIÆ: Historia de Sancta Mildretha
• LXV/33: HISTORIÆ: Officium Sancti Bassiani
• LXV/34: HISTORIÆ: Historia Sancti Iohannis Evangeliste
• LXV/35: HISTORIÆ: Zwei Historiae zu Ehren der Solothurner Heiligen Urs, Victor und ihrer Gefährten, Märtyrer der Thebäischen Legion (11. / 15. Jh.)
• LXV/36: HISTORIÆ: Hermannus Contractus (1013–1054), Historia de Sanctis Gordiano et Epimacho
• LXVI: Adrian Le Roy, Traicté de Musique: Facsimile Edition with Translation, Introduction and Notes
• LXVII: Medieval Liturgical Music of Zamora
• LXVIII: French Double and Triple Motets in the Montpellier Manuscript: Textual Edition, Translation and Commentary
• LXIX: The Manuscript Ivrea, Biblioteca Capitolare 115: Studies in the Transmission and Composition of Ars Nova Polyphony
• LXX/1: Le premier et le secont livre de fauvel, in the version preserved in B.N. f. fr. 146
• LXXI/1: Les manuscrits en écriture bénéventaine de la Bibliothèque Capitulaire de Bénévent; Tome II: manuscrits 19-23, 25-31, 33-40, 42, 44, 66, 68 et fragments; Formulaires liturgiques (messes)
• LXXI/2: Les manuscrits en écriture bénéventaine de la Bibliothèque Capitulaire de Bénévent; Tome III: Formulaires liturgiques (offices), Tables et index
• LXXII: Chant and its Peripheries: Essays in Honour of Terence Bailey
• LXXIII: Guido d'Arezzo's Regule Rithmice, Prologus in Antiphonarium, and Epistola ad Michaehelem: A Critical Text and Translation
• LXXIV: Lateinische Conductus-Texte des Mittelalters (Medieval Latin Conductus Texts)
• LXXV: Conductus and Contrafacta
• LXXVI: The Emperor's Old Clothes: The Rhythm of Mediaeval Song
• LXXVII: Albi, Bibliothèque Municipale Rochegude, Manuscript 44: A Complete Ninth-Century Gradual and Antiphoner from Southern France
• LXXVIII: The Poetic and Musical Legacy of Heloise and Abelard: An Anthology of Essays by Various Authors
• LXXIX: The Transitoria of the Ambrosian Mass: Compositional Process in Ecclesiastical Chant
• LXXX: Music Performance Practice in the Early cAbbāsid Era, 132-320 AH / 750-932 AD, 3rd edition
• LXXXI/1: Denkmodelle zur französischen Mensuraltheorie des 14. Jahrhunderts, Band I: Historische Darstellung
• LXXXI/2: Denkmodelle zur französischen Mensuraltheorie des 14. Jahrhunderts, Band II: Analytische Untersuchung
• LXXXII: Manuscript Sources of French Music Theory: Paris, Bibliothèque Nationale, Arsenal, MS 3042. A Facsimile Edition with Translations, Introduction and Commentary.
• LXXXIII: Music in the Cluniac Ecclesia: A Pilot Project
• LXXXIV: Commemoration, Ritual and Performance: Essays in Medieval and Early Modern Music
• LXXXV: Letania and Preces: Music for Lenten and Rogations Litanies
• LXXXVI: Boethius: De institutione arithmetica libri duo; Édition proto-philologique intégrale princeps d’un manuscript du IXe siècle (Paris, Bibliothèque nationale de France, latin 14064)
• LXXXVII: Studies in Medieval Chant and Liturgy in Honour of David Hiley
• LXXXVIII: Kritik und Methode in musikhistorischer Spätmittelalterforschung
• LXXXIX: Indices to Cambridge, Fitzwilliam Museum MS 369
• XC: Dies est leticie: Essays on Chant in Honour of Janka Szendrei
• XCI: Political Plainchant? Music, Text and Historical Context of Medieval Saints’ Offices
• XCII: The Chants of the Ambrosian Offertory: the Antiphons ‘after the Gospel’ and the Offerendae
• XCIII: Rhythmic Theories and Practices in Arabic Writings to 339 AH/950 CE
• XCIV: Les traditions du Plain-chant Occidental / Traditions in Western Plainchant
• XCV: Bibliographia Organorum Antiquorum, cum indicibus nominum et rerum
• XCVI: Cathedral, City and Cloister: Essays on Manuscripts, Music and Art in Old and New Worlds
• XCVII/1: The Versified Office: Sources, poetry and chants (Volume 1)
• XCVII/2: The Versified Office: Sources, poetry and chants (Volume 2)
• XCVIII: Chant: Old and New/ Plain-chant: l'ancien et le nouveau
• XCIX: Offertorium and Offerenda: Kinship and Structure
• C/1: Papers Read at the 15th Meeting of the IMS Study Group CANTUS PLANUS, Dobogókő/Hungary, 2009. Aug. 23-29. Volume 1
• C/2: Papers Read at the 15th Meeting of the IMS Study Group CANTUS PLANUS, Dobogókő/Hungary, 2009. Aug. 23-29. Volume 2
• C/3: Papers Read at the 15th Meeting of the IMS Study Group CANTUS PLANUS, Dobogókő/Hungary, 2009. Aug. 23-29. Volume 3
• CI: A Musicological Gift: Libro Homenaje for Jane Morlet Hardie
• CII: The Becket Offices: Paradigms for liturgical research (Part 1)
• CIII: The Becket Offices (2), Paradigms for liturgical research: Analysis
• CIV: 122 Ambrosian Responsories: Transcription and Analyses
• CV: Chant and Culture: Proceedings of the conference of the Gregorian Institute of Canada / Plain-chant et Culture: Actes du colloque de l’Institut grégorien du Canada
• CVI: The Letter of St. Bernard and the Tract on the Cistercian revision of the Antiphoner
• CVII: The Ambrosian Processions 'ad crucem'
• CVIII: Mapping Processions: Four Sixteenth-Century Spanish Music Manuscripts in Sydney
• CIX: Psallendae: The Ambrosian Processional Antiphons
• CX: Music Theory Manuscripts from Mediaeval Normandy
• CXI: New Research on Old Chant / La recherche nouvelle du plain-chant ancien
• CXII: Mensuraltheoretische Relevanz und Satztechnik. Ars vetus et nova, Traktate der johanneischen Mensurallehre und Ars magis subtiliter ordinate. Ein Versuch.
• CXIII: Into the Diaspora: Essays on Medieval and Early Modern Liturgical Music Manuscripts at the University of Sydney
• CXIV: Hymns of the Medieval Ambrosian Liturgy with Melodies from the Earliest Sources