Series

Collected Works
Collected Works

Gesamtausgaben
1. → VIII/2: Gesamtausgabe der Werke von Johannes Galliculus (Hähnel), Band II: Magnificat Quarti Toni, Magnificat Quinti Toni, Magnificat Septimi Toni
2. → VIII/3: Gesamtausgabe der Werke von Johannes Galliculus (Hähnel), Band III: Motets
3. → VIII/4: Gesamtausgabe der Werke von Johannes Galliculus (Hähnel), Band IV: Isagoge de Composicione Cantus
4. → XI/2: Collected Works of Antoine de Févin: Masses (II); Gesamtausgabe der Werke von Antoine de Févin: Messen (II)
5. → XI/3: Collected Works of Antoine de Févin: Lamentations, Magnificats, Motets and Chansons
6. → XI/4: Collected Works of Antoine de Févin: Opera Dubia, Fragments, Intabulations
7. → XII/2: Obras completas de Cristóbal Galán, Volumen II: Obras litúrgicas, Segunda Parte
8. → XII/3: Obras completas de Cristóbal Galán, Volumen III: Obras litúrgicas, Tercera Parte
9. → XII/4: Obras completas de Cristóbal Galán, Volumen IV: Solos, dúos y tríos
10. → XII/5: Obras completas de Cristóbal Galán, Volumen V: Cuartetos/Quartets, Primera Parte
11. → XII/6: Obras completas de Cristóbal Galán, Volumen VI: Cuartetos, Quintetos y Sextetos
12. → XII/7: Obras completas de Cristóbal Galán, Volumen VII: Sextetos y Septetos
13. → XII/8: Obras completas de Cristóbal Galán, Volumen VIII: Octetos 1-8
14. → XII/9: Obras completas de Cristóbal Galán, Volumen IX: Octetos 9-15
15. → XII/10: Obras completas de Cristóbal Galán, Volumen X: Octetos 16-22
16. → XII/11: Obras completas de Cristóbal Galán, Volumen XI: Obras para conjuntos de más de ocho voces u ocho voces con instrumentos obligados
17. → XIII: Collected Works of Robert de Févin, Masses and Motet
18. → XIV/1: Collected Works of Francisco de Peñalosa, Twenty-Four Motets
19. → XIV/2: Collected Works of Francisco de Peñalosa, The Lamentations of Jeremiah
20. → XV: Collected Works of Melchior Neusidler: Intabolatura di Liuto (Venice, 1566), An Edition of the Original Music
21. → XVI/1: Jean Maillard, The Masses
22. → XVII/1: Capella Sistina 51, Biblioteca Apostolica Vaticana, Città del Vaticano: Liber Missarum (1)
23. → XVII/2: Capella Sistina 51, Biblioteca Apostolica Vaticana, Città del Vaticano: Liber Missarum (2)
24. → XVII/3: Capella Sistina 51, Biblioteca Apostolica Vaticana, Città del Vaticano: Liber Missarum (3)
25. → XVII/4: Capella Sistina 51, Biblioteca Apostolica Vaticana, Città del Vaticano: Liber Missarum (4)
26. → XVII/5: Capella Sistina 51, Biblioteca Apostolica Vaticana, Città del Vaticano: Liber Missarum (5)
27. → XVII/6: Capella Sistina 51, Biblioteca Apostolica Vaticana, Città del Vaticano: Liber Missarum (6)
28. → XVIII: The Songs of the Master Trouvère Gace Brulé (ca. 1159-ca. 1213)
29. → XIX: The Circle Around Gace Brulé: Four Famous Early Trouvères
30. → XX: The Earliest Laude: The Cortona Hymnal
31. → XXI: The Transitoria of the Ambrosian Mass Edited from Three Sources
32. → XXII: The Lamentations of Jeremiah: Ten Sixteenth-Century Spanish Prints, An edition with introduction
33. → XXIII: Le Veglie di Siena; The Night Games of Siena (A Madrigal Comedy), 1604
34. → XXIV/1: The Earliest Polyphonic Art Music: The 150 Two-Part Conductus in the Notre-Dame Manuscripts (Volume 1)
35. → XXIV/2: The Earliest Polyphonic Art Music: The 150 Two-Part Conductus in the Notre-Dame Manuscripts (Volume 2)
36. → XXV: Trouvère Lyrics with Melodies: Complete Comparative Edition, Revisited
37. → XXVI: Matins for the Dead in Sixteenth-Century Colonial Mexico: Mexico City Cathedral 3 and Puebla Cathedral 3
38. → XXVII/1: An Anthology of Fifteenth-Century Italian Psalms, Volume 1
39. → XXVII/2: An Anthology of Fifteenth-Century Italian Psalms, Volume 2
40. → XXVII/3: An Anthology of Fifteenth-Century Italian Psalms, Volume 3
41. → XXVIII: Hildegard of Bingen, Ordo Virtutum: A Comparative Edition
42. → XXIX/1: The Complete Extant Transmissions of the Masses by Guillaume Faugues (1)
43. → XXIX/2: The Complete Extant Transmissions of the Masses by Guillaume Faugues (2)
44. → XXIX/3: The Complete Extant Transmissions of the Masses by Guillaume Faugues (3)
45. → XXIX/4: The Complete Extant Transmissions of the Masses by Guillaume Faugues (4)
46. → XXX: Hildegard of Bingen, Symphonia: A Comparative Edition
47. → XXXI/1: Collected Works of Benedictus Appenzeller, Vol. 1: Masses I
48. → XXXI/2: Collected Works of Benedictus Appenzeller, Vol. 2: Masses II
49. → XXXII/1: The Collected Transmissions of the Masses by Johannes Martini, Vol. 1: Masses I
50. → XXXII/2: The Collected Transmissions of the Masses by Johannes Martini, Vol. 2: Masses II
Musical Theorists in Translation
Musical Theorists in Translation
1. → XIII: Johannes Galliculus (Hähnel), The Introduction to Song Composition (Isagoge de Composicione Cantus)
2. → XIV: Nikolaus Gengenbach’s Musica nova: Newe Singekunst
3. → XV: Opusculum de musica ex traditione Iohannis Hollandrini
4. → XVI: Introductorium Musicæ of Johannes Keck
5. → XVII: Anleitung zur Singekunst of Thomas Selle: An introduction, edition, translation and facsimile
6. → XVIII: Theinred of Dover’s De Legitimis Ordinibus Pentachordorum et Tetrachordorum: A Critical Text and Translation
7. → XIX: Le Droict Chemin de Musique (The Direct Path of Music) of Louis Bourgeois
8. → XX: Guido’s Rhythmic Rules: Medieval Fundamentals of Music Theory in Verse Form
Publications of Mediæval Musical Manuscripts
Publications of Mediæval Musical Manuscripts

Veröffentlichungen mittelalterlicher Musikhandschriften

Publications des manuscrits musicaux du moyen age
1. → XIV: Paris, Bibliothèque nationale, fonds latin 1139: d’après les manuscrits conservés à la Bibliothèque nationale de Paris
2. → XV: Paris, Bibliothèque nationale, fonds latin 3719: facsimile reproduction of the manuscript
3. → XVI: Paris, Bibliothèque nationale, fonds latin 3549 and London, British Library, Add. 36,881
4. → XVII: Cambridge, University Library Ff.i.17 (1)
5. → XVIII: Paris, Bibliothèque nationale, fonds latin 7211: Analysis, Inventory and Text
6. → XIX: Firenze, Biblioteca Nazionale Centrale, Conventi Soppressi, F.III.565
7. → XX: Oxford Bodleian Library, MS. Lat. liturg. b. 5
8. → XXI: Utrecht, Bibliotheek der Rijksuniversiteit, MS 406 (3.J.7)
9. → XXII: National Library of Wales, MS.20541 E, The Penpont Antiphonal
10. → XXIII: Oxford, Bodleian Library, MS. e Mus. 126 (The York Processional)
11. → XXIV/1: Mss Avranches, Bibliothèque municipale 236, 237: Music Theory in Mediaeval Normandy, Volume 1: Boethius’ De Institutione Musica
12. → XXIV/2: Paris, Bibliothèque nationale, fonds latin 10509
13. → XXV/1: Lambeth Palace, Sion College, MS. L1: The Noted Breviary of York (Olim Sion College, ms. Arc.L.40.2/L.1), Volume 1: Temporale, Kalendar, and Psalter
14. → XXV/2: Lambeth Palace, Sion College, MS. L1: The Noted Breviary of York (Olim Sion College, ms. Arc.L.40.2/L.1), Volume 2: Sanctorale and Common of Saints
15. → XXV/3: Lambeth Palace, Sion College, MS. L1: The Noted Breviary of York (Olim Sion College, ms. Arc.L.40.2/L.1), Volume 3
16. → XXVI: Paris, Bibliothèque nationale, fonds latin 1143
17. → XXVII/1: Salamanca, Archivo de la Catedral, Ms. 5
18. → XXVII/2: Salamanca, Archivo de la Catedral, Ms. 6
19. → XXVII/3: Salamanca, Archivo de la Catedral, Ms. 7
20. → XXVII/4: Salamanca, Archivo de la Catedral, Ms. 8
21. → XXVIII: Liber sequentiarum et sacramentarium de Šibenik
22. → XXIX: Vilnius, Library of the Lithuanian Academy of Sciences, Department of Manuscripts, F22-95
23. → XXX: L’antiphonaire de la Paix des Princes chrétiens: Calligraphié à Saint-Omer par Sire Michel Reymbault enluminé à Lille par Soeur Françoise de Heuchin ca 1550-1561
24. → XXXI: Utrecht, Universiteitsbibliotheek, Hs. 16 H 34
25. → XXXII: München, Bayerische Staatsbibliothek, Clm 14965b: The Tonary of Frutolf of Michelsberg [ff. 34-73v]
26. → XXXIII: Oxford, Bodleian Library, MS. Selden Supra 27: Prosaire-Tropaire de Heidenheim
27. → XXXIV/1: Linz, Upper Austrian State Library (olim Bundesstaatliche Studienbibliothek), Codex 290 (183), Volume 1
28. → XXXIV/2: Linz, Upper Austrian State Library (olim Bundesstaatliche Studienbibliothek), Codex 290 (183), Volume 2
29. → XXXV: Tallin, Eesti Ajaloomuuseum (Tallin, Historical Museum), MS 237.1.228.a (XIX.184; 24075)
Musicological Studies
Musicological Studies

Wissenschaftliche Abhandlungen
1. → XLV: Medieval Polyphonic Sequences: An Anthology
2. → XLVI: Modal Rhythm
3. → XLVII: The Ambrosian Cantus
4. → XLVIII: Italian Tonaries
5. → XLIX: The Mass of Saint James: Solemn Mass for the Feast of the Passion of St. James of Compostela according to the Codex Calixtinus
6. → L/1: The Antiphons of the Ambrosian Office
7. → L/2: The Melodic Tradition of the Ambrosian Office-Antiphons
8. → L/3: Antiphon and Psalm in the Ambrosian Office
9. → LI: Style and Symbol, Medieval Music: 800-1453
10. → LII: Letter Notations in the Middle Ages
11. → LIII: Beyond the Moon: Festschrift Luther Dittmer
12. → LIV: A Tradition of Three Tropes
13. → LV/1: CANTUS: An Aquitanian Antiphoner: Toledo, Biblioteca capitular, 44.2, Printouts from an Index in Machine-Readable Form, A CANTUS Index
14. → LV/2: CANTUS: Piacenza, Biblioteca Capitolare 65, Printouts from an Index in Machine-Readable Form, A CANTUS Index
15. → LV/3: CANTUS: A Monastic Breviary of Austrian Provenance, Linz, Bundesstaatliche Studienbibliothek, 290 (183), Printouts from an Index in Machine-Readable Form, A CANTUS Index
16. → LV/4: CANTUS: Two Cambrai Antphoners, Cambrai, Médiathèque Municipale 38 and Impr. XVI C 4, Printouts from two Indices in Machine-Readable Form, A CANTUS Index
17. → LV/5: CANTUS: The Zwiefalten Antiphoner, Karlsruhe, Badische Landesbibliothek, Aug. perg. LX, Printouts from an Index in Machine-Readable Form, A CANTUS Index
18. → LV/6: CANTUS: An Utrecht Antiphoner, Utrecht, Bibliotheek der Rijksuniversiteit, 406 (3.J.7), Printouts from an Index in Machine-Readable Form, A CANTUS Index
19. → LV/7: CANTUS: Four Klosterneuburg Antiphoners, Augustiner-Chorherren Stiftsbibliothek, 1013, 1012, 1017, and 1018, Printouts from an Index in Machine-Readable Form, A CANTUS Index
20. → LV/8: CANTUS: Salamanca, Archivo de la Catedral, 5,6,7,8, Printouts from an Index in Machine-Readable Form, A CANTUS Index
21. → LVI: Modal Assignment in Northern Tonaries
22. → LVII: Les Chansons de Claude Goudimel: Analyses Modale et Stylistiques
23. → LVIII: From Confucius to Kublai Khan: Music and Poetics Through the Centuries
24. → LIX: The Latin Motet: Indexes to Printed Collections, 1500-1600
25. → LX/1: Secular Medieval Latin Song: An Anthology
26. → LX/2: A Critical Study of Secular Medieval Latin Song
27. → LX/3: The Social Background to Secular Medieval Latin Song
28. → LXI: Johannis de Muris, Musica <Speculativa>
29. → LXII/1: The Cultural Milieu of the Troubadours and Trouvères
30. → LXII/2: The Medieval West Meets the Rest of the World
31. → LXII/3: Tradition and Ecstasy: The Agony of the Fourteenth Century
32. → LXII/4: Design and Production in Medieval and Early Modern Europe: Essays in Honor of Bradford Blaine
33. → LXII/5: Medieval Germany: Associations and Delineations
34. → LXII/6: Issues in Medieval Philosophy: Essays in Honor of Richard C. Dales
35. → LXII/7: Performing Ecstasies: Music, Dance, and Ritual in the Mediterranean
36. → LXII/8: Procession, Performance, Liturgy, and Ritual: Essays in Honor of Bryan R. Gillingham
37. → LXIII: Indices to the Notre-Dame Facsimiles
38. → LXIV: Antiphons for Paschal Triduum Easter in the Medieval Office
39. → LXV/1: HISTORIÆ: Two Offices for St. Elizabeth of Hungary, Gaudeat Hungaria and Letare Germania; Introduction and Edition
40. → LXV/2: HISTORIÆ: Historia Sancti Emmerammi, Arnoldi Vohburgensis, circa 1030
41. → LXV/3: HISTORIÆ: Historia Sancti Dionysii Areopagitæ, St. Emmeram, Regensburg, ca. 1050 / 16. Jh.
42. → LXV/4: HISTORIÆ: Historia Sancti Erhardi
43. → LXV/5: HISTORIÆ: Officium Presentationis Beate Virginis Marie in Templo
44. → LXV/6: HISTORIÆ: L’Office Romano-Franc des Saints Martyrs Denis, Rustique et Eleuthere
45. → LXV/7: HISTORIÆ: Hermannus Contractus (1013-1054), Historia Sancti Wolfgangi Episcopi Ratisbonensis
46. → LXV/8: HISTORIÆ: Two Aquileian Poetic Offices
47. → LXV/9: HISTORIÆ: Historia de Sancta Martha Hospita Christi redactio Bohemica: Ein spätmittelalterliches Reimoffizium zu Ehren der heiligen Martha in seiner böhmische Überlieferung
48. → LXV/10: HISTORIÆ: Hermannus Contractus (1013-1054), Historia Sanctæ Afræ Martyris Augustensis
49. → LXV/11: HISTORIÆ: Historia Sancti Martini
50. → LXV/12: HISTORIÆ: Historia Sancti Achacii
51. → LXV/13: HISTORIÆ: Historia Sancti Simperti, aus dem Benediktinerkloster St. Ulrich & Afra Augsburg
52. → LXV/14: HISTORIÆ: Historia Sancti Quirini, Historia Sancti Chrysogoni aus dem Benediktiner Tegernsee
53. → LXV/15: HISTORIÆ: Historia Sancti Ludgeri
54. → LXV/16: HISTORIÆ: Historia Sancti Reguli Episcopi et Martiris
55. → LXV/17a: HISTORIÆ: The Offices and Masses of St. Knud Lavard († 1131), (Kiel Univ. Lib. MS S.H. 8 A.8°), Volume 1: Facsimile
56. → LXV/17b: HISTORIÆ: The Offices and Masses of St. Knud Lavard († 1131), (Kiel Univ. Lib. MS S.H. 8 A.8°), Volume 2: Edition
57. → LXV/18: HISTORIÆ: Historia Sancti Stephani Regis 1190-1270
58. → LXV/19: HISTORIÆ: L’Office de la Couronne d’épines à Sens
59. → LXV/20: HISTORIÆ: Historia Sancti Demetrii Thessalonicensis
60. → LXV/21: HISTORIÆ: Historia Sancti Galli (circa 900)
61. → LXV/22: HISTORIÆ: Hermannus Contractus (1013-1054), Historia Sancti Magni
62. → LXV/23: HISTORIÆ: Historia Sancti Gatiani Episcopi Turonensis
63. → LXV/24: HISTORIÆ: The Office of St. Vigilius, Bishop and Patron of the Church of Trent
64. → LXV/25: HISTORIÆ: The Office of Saint Julian of Le Mans by Letald of Micy (circa 1000)
65. → LXV/26: HISTORIÆ: Balther von Säckingen, Bischof von Speyer, Historia Sancti Fridolini (ca. 970)
66. → LXV/27: HISTORIÆ: The Office of Saint William of York
67. → LXV/28: HISTORIÆ: Historia Sancti Hylarii Episcopi Pictaviensis (circa 816-930)
68. → LXV/29: HISTORIÆ: The Dominican Mass and Office for the Crown of Thorns
69. → LXV/30: HISTORIÆ: Officium sancti Mauritii sociorumque eius Thebaicae legionis
70. → LXV/31: HISTORIÆ: Historia Sanctae Verenae
71. → LXV/32: HISTORIÆ: Historia de Sancta Mildretha
72. → LXV/33: HISTORIÆ: Officium Sancti Bassiani
73. → LXV/34: HISTORIÆ: Historia Sancti Iohannis Evangeliste
74. → LXV/35: HISTORIÆ: Zwei Historiae zu Ehren der Solothurner Heiligen Urs, Victor und ihrer Gefährten, Märtyrer der Thebäischen Legion (11. / 15. Jh.)
75. → LXVI: Adrian Le Roy, Traicté de Musique: Facsimile Edition with Translation, Introduction and Notes
76. → LXVII: Medieval Liturgical Music of Zamora
77. → LXVIII: French Double and Triple Motets in the Montpellier Manuscript: Textual Edition, Translation and Commentary
78. → LXIX: The Manuscript Ivrea, Biblioteca Capitolare 115: Studies in the Transmission and Composition of Ars Nova Polyphony
79. → LXX/1: Le premier et le secont livre de fauvel, in the version preserved in B.N. f. fr. 146
80. → LXXI/1: Les manuscrits en écriture bénéventaine de la Bibliothèque Capitulaire de Bénévent; Tome II: manuscrits 19-23, 25-31, 33-40, 42, 44, 66, 68 et fragments; Formulaires liturgiques (messes)
81. → LXXI/2: Les manuscrits en écriture bénéventaine de la Bibliothèque Capitulaire de Bénévent; Tome III: Formulaires liturgiques (offices), Tables et index
82. → LXXII: Chant and its Peripheries: Essays in Honour of Terence Bailey
83. → LXXIII: Guido d’Arezzo’s Regule Rithmice, Prologus in Antiphonarium, and Epistola ad Michaehelem: A Critical Text and Translation
84. → LXXIV: Lateinische Conductus-Texte des Mittelalters (Medieval Latin Conductus Texts)
85. → LXXV: Conductus and Contrafacta
86. → LXXVI: The Emperor’s Old Clothes: The Rhythm of Mediaeval Song
87. → LXXVII: Albi, Bibliothèque Municipale Rochegude, Manuscript 44: A Complete Ninth-Century Gradual and Antiphoner from Southern France
88. → LXXVIII: The Poetic and Musical Legacy of Heloise and Abelard: An Anthology of Essays by Various Authors
89. → LXXIX: The Transitoria of the Ambrosian Mass: Compositional Process in Ecclesiastical Chant
90. → LXXX: Music Performance Practice in the Early cAbbāsid Era, 132-320 AH / 750-932 AD, 3rd edition
91. → LXXXI/1: Denkmodelle zur französischen Mensuraltheorie des 14. Jahrhunderts, Band I: Historische Darstellung
92. → LXXXI/2: Denkmodelle zur französischen Mensuraltheorie des 14. Jahrhunderts, Band II: Analytische Untersuchung
93. → LXXXII: Manuscript Sources of French Music Theory: Paris, Bibliothèque Nationale, Arsenal, MS 3042. A Facsimile Edition with Translations, Introduction and Commentary.
94. → LXXXIII: Music in the Cluniac Ecclesia: A Pilot Project
95. → LXXXIV: Commemoration, Ritual and Performance: Essays in Medieval and Early Modern Music
96. → LXXXV: Letania and Preces: Music for Lenten and Rogations Litanies
97. → LXXXVI: Boethius: De institutione arithmetica libri duo; Édition proto-philologique intégrale princeps d’un manuscript du IXe siècle (Paris, Bibliothèque nationale de France, latin 14064)
98. → LXXXVII: Studies in Medieval Chant and Liturgy in Honour of David Hiley
99. → LXXXVIII: Kritik und Methode in musikhistorischer Spätmittelalterforschung
100. → LXXXIX: Indices to Cambridge, Fitzwilliam Museum MS 369
101. → XC: Dies est leticie: Essays on Chant in Honour of Janka Szendrei
102. → XCI: Political Plainchant? Music, Text and Historical Context of Medieval Saints’ Offices
103. → XCII: The Chants of the Ambrosian Offertory: the Antiphons ‘after the Gospel’ and the Offerendae
104. → XCIII: Rhythmic Theories and Practices in Arabic Writings to 339 AH/950 CE
105. → XCIV: Les traditions du Plain-chant Occidental / Traditions in Western Plainchant
106. → XCV: Bibliographia Organorum Antiquorum, cum indicibus nominum et rerum
107. → XCVI: Cathedral, City and Cloister: Essays on Manuscripts, Music and Art in Old and New Worlds
108. → XCVII/1: The Versified Office: Sources, poetry and chants (Volume 1)
109. → XCVII/2: The Versified Office: Sources, poetry and chants (Volume 2)
110. → XCVIII: Chant: Old and New/ Plain-chant: l’ancien et le nouveau
111. → XCIX: Offertorium and Offerenda: Kinship and Structure
112. → C/1: Papers Read at the 15th Meeting of the IMS Study Group CANTUS PLANUS, Dobogókő/Hungary, 2009. Aug. 23-29. Volume 1
113. → C/2: Papers Read at the 15th Meeting of the IMS Study Group CANTUS PLANUS, Dobogókő/Hungary, 2009. Aug. 23-29. Volume 2
114. → C/3: Papers Read at the 15th Meeting of the IMS Study Group CANTUS PLANUS, Dobogókő/Hungary, 2009. Aug. 23-29. Volume 3
115. → CI: A Musicological Gift: Libro Homenaje for Jane Morlet Hardie
116. → CII: The Becket Offices: Paradigms for liturgical research (Part 1)
117. → CIII: The Becket Offices (2), Paradigms for liturgical research: Analysis
118. → CIV: 122 Ambrosian Responsories: Transcription and Analyses
119. → CV: Chant and Culture: Proceedings of the conference of the Gregorian Institute of Canada / Plain-chant et Culture: Actes du colloque de l’Institut grégorien du Canada
120. → CVI: The Letter of St. Bernard and the Tract on the Cistercian revision of the Antiphoner
121. → CVII: The Ambrosian Processions ‘ad crucem’
122. → CVIII: Mapping Processions: Four Sixteenth-Century Spanish Music Manuscripts in Sydney
123. → CIX: Psallendae: The Ambrosian Processional Antiphons
124. → CX: Music Theory Manuscripts from Mediaeval Normandy
125. → CXI: New Research on Old Chant / La recherche nouvelle du plain-chant ancien
126. → CXII: Mensuraltheoretische Relevanz und Satztechnik. Ars vetus et nova, Traktate der johanneischen Mensurallehre und Ars magis subtiliter ordinate. Ein Versuch.
127. → CXIII: Into the Diaspora: Essays on Medieval and Early Modern Liturgical Music Manuscripts at the University of Sydney
128. → CXIV: Hymns of the Medieval Ambrosian Liturgy with Melodies from the Earliest Sources